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Smoking With Gary Fincke

Interview by Beth Thomas (Read the Story) December 18, 2012

Gary Fincke

art by Karrah Kobus

The secretary is not given a name in this story. Why not?

She had a name when I began, but after a while, when I saw Savich saw her as a “condition” and perhaps an “opportunity,” I took it out.

The only physical description given of Savich is a vague reference to his age (that he is much older than her). Why is the man not described?

I’m trusting that the reader can “see” him through his actions and speech.

From the first word on paper to the time the story was ready for submission, how long did it take to write and perfect? What is your writing process like? Did this go through a lot of revisions?

This is very short compared to what I usually write—I thought I was beginning a typical 25 page story, wrote most of this in an hour, and then, when I went back to it, I thought that for once I could play with the short-short form, really pare it back, so it took a half hour of pruning to reach the form it takes now.

What literary (or otherwise!) projects do you have going on right now?

I have a collection of stories coming out from West Virginia University in March, but I think I’m ready to push another collection out. I have a new collection of poems that’s “ready” as well, and I’m trying to complete a new book of creative nonfiction—always something.

About the Author

Gary Fincke’s latest collection of stories A Room of Rain is just out from West Virginia University.  A novel How Blasphemy Sounds to God was published in 2014 by Braddock Avenue Books.  An earlier collection Sorry I Worried You won the Flannery O’Connor Prize and was published by Georgia.  He is the Charles Degenstein Professor of Creative Writing at Susquehanna University.

About the Interviewer

Beth Thomas is originally from New Mexico but currently lives in California due to military relocation. She works as a technical writer in the aerospace/defense industry—don’t ask what she writes about ’cause she can’t really tell you. She has a BA and an MA in writerly things from New Mexico universities. Her work has recently appeared in Pindeldyboz Online, SmokeLong Quarterly, Juked, Word Riot, and other places.

About the Artist

Karrah Kobus is a conceptual portrait artist and wedding photographer from Minneapolis, MN. Karrah stumbled upon the magic of photography while studying for an anthropology course—she came across a photo created by Rosie Hardy and knew immediately that she was meant to be a photographer also. With her budding career taking her across America and to Mexico and Canada, it has been an adventurous two years for Karrah. She’s driven across the country to meet perfect strangers and bathe in waterfalls after covering herself in mud. She’s spent countless nights, mornings and afternoons running around aimlessly and just because she had her camera; everything was, and always will be, okay. Sometimes she feels like photographers have uncovered a special secret. A crazy, amazing, and beautiful secret. The key to truly living. And all she wants is to be alive.

This interview appeared in Issue Thirty-Eight of SmokeLong Quarterly.
SmokeLong Quarterly Issue Thirty-Eight
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