Smoking With Barry Graham
No I canít.
This story is a first-rate example of how every word is chosen purposefully: the resurrection of the cigarettes, the weaving of a small scourge, the coagulation of the blood. How do you choose these images Ė the weeping willows, cigarette butts, a cedar pew, the big white bus? And in the end, Karly draws pine trees. Why pine trees?
I chose words that held some sort of religious connotation; blood, pew, weeping, church, white, resurrect, and of course the small scourge, which for me invokes Jesusí overly violent reaction against the Jewish tradesmen in the synagogue. I grew up in Sunday school, as did many of the children in my neighborhood. And I guess as an adult I am interested in the idea of so much violence and abuse happening to children who devoted so much faith and hope to memorizing Bible verses and singing Jesus Loves Me, and I wanted to bring that conflict into a collection of small fictions.
I chose pine trees because trees belong in this story, as another example of victims of senseless violence against the natural world. I chose pine trees because of the alliteration; pictures, pine, program. I choose adjectives based on the way words sound, the way they feel pressed up against each other.
You have a book coming out with Another Sky Press. What can you tell us about it?
Yeah, The National Virginity Pledge. Itís a collection of short stories that indirectly involve virginity, well, actually, the lack thereof. These stories showcase a reoccurring cast of confused, helpless, hopeless, beautiful, dirty, optimistic, loveable down-and-outs, all involved in dysfunctional relationships containing sex in some way. They take place in small towns and big cities all across America. Plenty of gambling, blended with a warped sense of passion and love and desire, and small bits of harmless violence.
Karly does not appear in The National Virginity Pledge so donít worry about her. She belongs in a small collection of flash fictions loosely set in my hometown of Paradise, right smack dab in the heart of Pennsylvania Dutch country. She is not based on anyone in particular, when it comes to character development I share Mark Twainís sentiment when asked if Tom Sawyer was a real kid in Hannibal, he said no, Tom is an accumulation of all the kids of Hannibal (bad paraphrase, sorry).
You are the editor of Dogzplot: An Erratic Literary Montage, a writer and a teacher. What else is Barry Graham?
Barry Graham is large, he contains multitudes.
Read Caved In.
|Issue Twenty-Three (December 15, 2008):
Ants by David Aichenbaum «»
Earthrise by Christopher Bundy «»
The World Before This One by Jon Chopan «»
Ghost Bike by Thomas Cooper «»
The Sway of Trains by Lydia Copeland «»
Impressionists by Debra A. Daniel «»
Danseuses Nues by David Harris Ebenbach «»
The Head Fields by Terry Ehret «»
Shadows by Sherrie Flick «»
Heroin Girl by Larry Fondation «»
She Doesn't Ask Where He Goes by Stefanie Freele «»
Caved In by Barry Graham «»
Chicago World's Fair, 1893 by Kyle Hemmings «»
Coat and Shoes by Tania Hershman «»
Thirteen by Tai Dong Huai «»
Phoenix by W.P. Kinsella «»
Nearly Free by Dorianne Laux «»
Alien Lunch by Liane LeMaster «»
The Society for the Preservation of Everything by Kuzhali Manickavel «»
216 East Boalt by Jeannie Vanasco «»
Potatoes by Spencer Wise «»
David Aichenbaum «»
Christopher Bundy «»
Jon Chopan «»
Thomas Cooper «»
Lydia Copeland «»
Debra A. Daniel «»
David Harris Ebenbach «»
Terry Ehret «»
Sherrie Flick «»
Larry Fondation «»
Stefanie Freele «»
Barry Graham «»
Kyle Hemmings «»
Tania Hershman «»
Tai Dong Huai «»
Dorianne Laux «»
Liane LeMaster «»
Kuzhali Manickavel «»
Spencer Wise «»
Cover Art "morpheus" by Marty D. Ison «»
Letter From the Editor