SmokeLong Quarterly
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Smoking With Paul Silverman

Is there an actual city known as "Steam City," or is it more of a descriptive term?
Steam City is a name that I made up, because it seemed to fit a western locale. Real places that come to mind are Rapid City and Cooke City. It just sounds like the kind of town my character, Corinne, grew up in, a place that sprung up quickly, because of some boom, but never got be more than mid-sized.

The last line took the story in an entirely different direction. When you wrote it, was it headed there all along?
Yes indeed. Everything is preparation for it. The core of the story is basically told, in miniature, in the first paragraph. All the words that follow, including the last line, arise from what's said right up front.

I love this line: "And then, in a swoop of light and color, it was the future: sunset pulling its blanket of blue and rust over the chilled crags of the Presidios." Gorgeous! It's the word rust that really gets me.
Well, thank you very much. I needed a big image because this is a major transition point: the stop, look and listen point just before the finale. Since it's flash fiction it had to be accomplished with vivid words, but not too many of them. I think you like rust because it's a precursor: it's there in honor of Johnny.

Tell us about your Jacob Kopens stories.
Some day I'd like to see them published as a group. They kind of link together. On one level, they're about tribalism in America. All of the groups, all of the strife and struggle. On a simpler level they're about one kid whose name, Jack Kopinsky, doesn't fit the path he finds himself on, so on the way up he adjusts it, smoothes it out and makes it Jacob Kopens. "Sort of like a nose job," is the way he puts it.

This issue marks SmokeLong's fifth anniversary, which has me thinking about longevity and growth. There's no denying the literary arena is a fickle one, with journals coming and going, writers shooting onto the scene then falling into a long hiatus, editors changing houses, agents merging, and the trends! Don't even get me started! How do you, as a writer, endure the ups and downs? Have you experienced any setbacks? What measures have you taken to grow?
Congratulations on the anniversary. Smokelong deserves longevity, and will indeed have more of it, because the media and the message (strong, fast stories) are in perfect sync. As for me as a writer, I will tell the truth for a change. I don't chase trends because I don't have the agility. I am what I am and I do what I do. The best of it usually finds a home, although it can take a while. And I endure the ups and downs because I don't depend on the ups and downs for my livelihood. My advertising work has always paid the bills. The truth, sad or otherwise, is that for many years I've been able to make more money for three words than for three thousand and maybe even three hundred thousand words.

Read Steam City Girl.

Issue Twenty-One (June 15, 2008): Paper Mouse by Bob Arter «» The Folk Singer Dreams of Time Machines by Matt Bell «» The Bone Orchard by Randall Brown «» Disease Relics by Blake Butler «» We Decided to Make Porn by Brian Allen Carr «» The Baby Drop-Off by Natascia Casey-Dean «» The Cougar by Dave Clapper «» Anointed by Myfanwy Collins «» Sister Earth by John Colvin «» Soap by Katrina Denza «» The Interpretation of Light by Murray Dunlap «» The Hole by Ashley Farmer «» Repair Man by Kathy Fish «» In the Kitchen She Wakes by Stefanie Freele «» American Gothic by Scott Garson «» Lobster Girl by Alicia Gifford «» Pen and Notebook by Natalie Goldberg «» Memento Mori by Rosanne Griffeth «» BiC by Steven Gullion «» Parting by Evelyn Hampton «» Tuesday by Lindsay Hunter «» Waiting on Lombard Street by W.P. Kinsella «» Johnny by Nance Knauer «» Like Swimming by Jeff Landon «» Feeling Sad by Darby Larson «» Alone With Cooper by Ellen Meister «» The Angel's Visitation by Corey Mesler «» South Dakota by Mary Miller «» California Fruit by Meg Pokrass «» Home Made by Bruce Holland Rogers «» Handful of Dirt by Jim Ruland «» Steam City Girl by Paul Silverman «» Sugar by Claudia Smith «» The 13th Toast by Amy Sparks «» Gathering by Kelly Spitzer «» Tiny Shadows by Maryanne Stahl «» Double-Exposure by Thomas White «» Epistemology by Joseph Young «» Why This Isn't a Good Story to Tell by Shellie Zacharia «» Liquid by Michelle Zellers «» Real Estate by Bonnie ZoBell «» Interviews: Bob Arter «» Matt Bell «» Randall Brown «» Blake Butler «» Brian Allen Carr «» Natascia Casey-Dean «» Dave Clapper «» Myfanwy Collins «» John Colvin «» Katrina Denza «» Murray Dunlap «» Ashley Farmer «» Kathy Fish «» Stefanie Freele «» Scott Garson «» Alicia Gifford «» Rosanne Griffeth «» Steven Gullion «» Evelyn Hampton «» Lindsay Hunter «» Nance Knauer «» Jeff Landon «» Darby Larson «» Ellen Meister «» Corey Mesler «» Mary Miller «» Meg Pokrass «» Bruce Holland Rogers «» Jim Ruland «» Paul Silverman «» Claudia Smith «» Amy Sparks «» Kelly Spitzer «» Maryanne Stahl «» Thomas White «» Joseph Young «» Shellie Zacharia «» Michelle Zellers «» Bonnie ZoBell «» Cover Art "Five Years of SmokeLong" compiled from art by Marty D. Ison, Robert Dornberg, Malina, and Rebecca Gullickson «» Letter From the Editor
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