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Smoking With Barbara Jacksha

Art by Marty D. Ison
Art by Marty D. Ison
Do you find that living in New Mexico has any effects on your writing?
Living near Santa Fe has definitely shaped my writing. The physical beauty of the area has grounded my work firmly in the natural world—even my ordinary, daily walks have inspired several pieces. Santa Fe is also a remarkable artistic and cultural nexus, which is great food for any writer's imagination.

How do you feel about flash versus other literary forms?
I love the way flash can bring together the seductive elements of story with the language and intensity often seen in poetry. Reading a flash piece is like eating a single, ripe strawberry. It's a small bite, but there's so much to experience and enjoy.

You're stranded on the proverbial desert island. What three books do you have with you?
I'd bring "Mama Day" by Gloria Naylor because I find new magic in that book every time I read it. I'd also bring "The Power of Now" by Eckhart Tolle to help remind me what it really means to be stranded on a desert island. And then I'd bring a nice fat blank book to keep me from scribbling in the margins of the other two.

What all was entailed in the Pushcart process?
In the Pushcart process, I simply enjoyed the ride. I had a short story published by Carve Magazine. A month or so later, I got a very nice letter from the publisher saying that my story was one of Carve's Pushcart nominations for the year. At that point, I celebrated and crossed my fingers. My story wasn't chosen, but the nomination was a big thrill.

I love the image of men as migratory birds. What inspired this piece?
Like many of my stories, this piece started with a single line that stuck in my mind: 'she spent a season by the sea.' I imagined a woman arriving at the shore knowing that she was looking for something, but having no clue as to the 'what.' Nature and solitude would be her teachers. I didn't plan the image of men as birds, but when it appeared, I knew it was right. Those unexpected lines are always such a gift.

What's your favorite time of day to write? Why?
I like to write anytime after my morning cup of tea and before my late afternoon exercise time. During the day I have minimal interruptions—even my dogs have learned the phrase 'Barb is working.' I always thought it sounded romantic to work at night, in a cozy office lit with candles, but the reality never measured up. Being a morning person, I'm better off with a good night's sleep and an early start the next day.

Read The Natural Order.
Issue Two (December 15, 2003): The Natural Order by Barbara Jacksha «» View From A Flying Jimmy by Tammy Turner «» ISO by Bret Fetzer «» Magic Yeast by Louisa Howerow «» Must Sign for Delivery by Jade Walker «» Memoirs of a Jump Rope Queen by Margaret A. Frey «» Nolo Contendere by Sean Oakley «» Campfire Conversation by Lennart Lundh «» Snap Shot by Peggy Duffy «» Fear by Rose McDonagh «» Because of Penguins by Jane Sales «» With Love, Moon by Eugenia E. Gratto «» Private Services by Diana Forrester «» Red Flecks by Louise Jackson «» Pictures—The Beach Outside of Nice by Nance Knauer «» Love and Death in Legoland by Kay Sexton «» Sunset in Santa Monica by Didi Wood «» Fragile by Eric Wrisley «» Interviews: Barbara Jacksha «» Tammy Turner «» Bret Fetzer «» Louisa Howerow «» Jade Walker «» Margaret A. Frey «» Sean Oakley «» Lennart Lundh «» Peggy Duffy «» Rose McDonagh «» Jane Sales «» Eugenia E. Gratto «» Diana Forrester «» Louise Jackson «» Nance Knauer «» Kay Sexton «» Didi Wood «» Eric Wrisleya «» Cover Art "Platinum" by Malina «» Letter From the Editor
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