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Smoking With Jordan E. Rosenfeld
It's often said that only children become hyper-attuned to the world around them because they don't have the extra stimulus of siblings and they don't compete for their parents' attention. As a writer, I came to use this only-child sensitivity to my benefit. Human suffering is not so complicated. You'd have to be like Spock, or a sociopath not to at least grasp the spectrum of possible pain involved in parenting. If you could meet one dead writer for coffee, who would it be? Sylvia Plath, queen of metaphor and high drama. After having read her journals, I feel we had a lot in common (minus the suicidal impulses). Eerily, I am the age right now that she was when she killed herself. (No need to worry about me). You're deep into the MFA program at Bennington. How has it changed the way you approach your writing? Yeah, about neck-deep, at this point. For those sneering critics of MFA’s out there, it hasn’t turned me into a literary automaton trying to compose pretty little pieces of meaningless fluff! I’ve come to accept the inevitable reality that good writing happens in the revision process. The program has further impressed upon me that writing is a viable, critical and meaningful contribution to the world and it has forced me to look at all the bad habits I have so successfully hidden from writing groups. Anything that forces you to read 100 books critically in two years has got to be good. You interview writers for the radio program, Word by Word. As we sit here trying to come up with interesting questions for you, we can't help wondering how you decide what to ask your subjects. I do it just like you do. I sit around scratching my head. Mainly, I think of all the times I've listened to Terry Gross's "Fresh Air" and thought "Terry! Why'd you ask that idiotic question?” We're all voyeurs; we want to know what moves a writer, what compels them, what bad things happened in their childhoods and why the hell they bother to sit for hours doing something that most people consider a painful part of their high school experience. M&Ms: plain or peanut? Depends how wild I'm feeling. But definitely suck off the candy coating first. Read The Nub. |
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| Issue Six (October 15, 2004): Money on the Eyes by Ian Kita «» Fire. Water. by Avital Gad-Cykman «» On the Inside of a Horse’s Skull by Daphne Buter «» Breakfast in America by Angela Delarmente «» Broodiness by Alicia Gifford «» The Suspect by Joseph Young «» Picnic by Robin Slick «» Rabbit Karma by Bea Pantoja «» Grateful by Lisa K. Buchanan «» Getting Religion by Carol Novack «» The Green Dress by Beverly Jackson «» Smoky Clothes by Ellen Parker «» Shopping List by Liesl Jobson «» The Nub by Jordan E. Rosenfeld «» Swallow Whole by Spencer Dew «» Dead Weight by Jensen Whelan «» Instructions for a Son upon Finding Something of his Father’s by Robert S. Jersak «» 201 Feet by Andrew Tibbetts «» Slip it In by Myfanwy Collins «» Frostbite by Katrina Denza «» Interviews: Ian Kita «» Avital Gad-Cykman «» Daphne Buter «» Anglea Delarmente «» Alicia Gifford «» Joseph Young «» Robin Slick «» Bea Pantoja «» Lisa K. Buchanan «» Carol Novack «» Beverly Jackson «» Ellen Parker «» Liesl Jobson «» Jordan E. Rosenfeld «» Spencer Dew «» Jensen Whelan «» Robert S. Jersak «» Andrew Tibbetts «» Myfanwy Collins «» Katrina Denza «» Cover Art "Torment of a Lost Ecstasy" by Marty D. Ison «» Letter From the Editor | |||