The Head Fields
by Terry Ehret
Two whirling dust devils came toward me out of the head fields. They were my interviewers. One voice, a pulsing static, offered me a gift, and I went running down the white-lined highway, breaking into waves, cresting and falling, touching every part that faced away from the light. The second voice smelled of the smoke of big-rig brakes on a mountain grade, asking questions about the methodology of waves, the exact frequency of sighs.
Who do you think you are? the first voice demanded.
"That's the problem," I said, "the very heart of the problem."
The woman handed me a tuning fork.
Have you forgotten your thesis? the second voice accused. Underline for me, please, what you consider your main idea.
What was I supposed to do with the tuning fork? I struck it against my open hand and raised it to my ear.
Start from the beginning, the first voice urged.
To go back was impossible. Whales were heading south, and flocks of pelicans, an endless highway of them just off the coast. The woman tugged at my sleeve like a child, pointing to the tuning fork. My interviewers were growing impatient and whirled closer, stirring up the dust from the head fields and roadside gravel that ticked painfully against my face and hands. I covered my eyes, all the while trying to keep the tuning fork secure, but the woman beside me slipped it out of my fingers and disappeared on her way over the dunes.
All content in SmokeLong Quarterly copyright 2003-2014 by its authors.
Terry Ehret is a poet and teacher, as well as one of the founders of Sixteen Rivers Press. She has published three collections: Lost Body (1993), Translations from the Human Language (2001), and most recently Lucky Break (2008). Literary awards include the National Poetry Series, the Commonwealth Club of California Book Award, and the Nimrod/ Hardman Pablo Neruda Poetry Prize. She has taught writing at San Francisco State and Sonoma State Universities, California College of the Arts, Santa Rosa Junior College, and with the California Poets in the Schools Program. She currently leads writing workshops in Sonoma County, California, where she lives with her family.
Read the interview.
Centa Theresa has exhibited her mixed media artwork in SF Bay Area galleries, and her poems have been published in various journals, most recently in Eclipse and Tiny Lights. She has authored a letterset edition, "Blameless Recognition of Natural Light". Visit her online at www.centatheresa.com.
|Issue Twenty-Three (December 15, 2008):
Ants by David Aichenbaum «»
Earthrise by Christopher Bundy «»
The World Before This One by Jon Chopan «»
Ghost Bike by Thomas Cooper «»
The Sway of Trains by Lydia Copeland «»
Impressionists by Debra A. Daniel «»
Danseuses Nues by David Harris Ebenbach «»
The Head Fields by Terry Ehret «»
Shadows by Sherrie Flick «»
Heroin Girl by Larry Fondation «»
She Doesn't Ask Where He Goes by Stefanie Freele «»
Caved In by Barry Graham «»
Chicago World's Fair, 1893 by Kyle Hemmings «»
Coat and Shoes by Tania Hershman «»
Thirteen by Tai Dong Huai «»
Phoenix by W.P. Kinsella «»
Nearly Free by Dorianne Laux «»
Alien Lunch by Liane LeMaster «»
The Society for the Preservation of Everything by Kuzhali Manickavel «»
216 East Boalt by Jeannie Vanasco «»
Potatoes by Spencer Wise «»
David Aichenbaum «»
Christopher Bundy «»
Jon Chopan «»
Thomas Cooper «»
Lydia Copeland «»
Debra A. Daniel «»
David Harris Ebenbach «»
Terry Ehret «»
Sherrie Flick «»
Larry Fondation «»
Stefanie Freele «»
Barry Graham «»
Kyle Hemmings «»
Tania Hershman «»
Tai Dong Huai «»
Dorianne Laux «»
Liane LeMaster «»
Kuzhali Manickavel «»
Spencer Wise «»
Cover Art "morpheus" by Marty D. Ison «»
Letter From the Editor