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Jamila
by Carmel Reid Mawle
 art by Gay Degani |
The first time I went to kill my sister I couldn't do it. She saw me walking up the road and called to me, her black eyes held my smile as she took my hand. She was cooking my favorite dessert, sheer korma, and the sweet aroma of cardamom softened my spine. Her husband welcomed me into their home, invited me to share their meal. They wanted to hear about my plans for school. Jamila said I would honor the family by becoming a doctor, not a farmer with dirty feet and old-fashioned ideas like Father. She had refused Father's marriage arrangements, shamed our family, but my sister was happy. She sat with the chair pushed far from the table, placed my hand on her stomach to feel the baby's foot through her cotton kameez. This baby, from a husband of her own choosing, a marriage of love. Tell Father his grandson is growing to be big and strong like him, she said.
Father said Jamila spoiled me. Maybe she did. I was her youngest brother. The only son who survived. Jamila would hide an extra sweetmeat for me, make up stories while I ate. She helped me memorize my first surah and we surprised Father with it. He didn't remember that. She was the one who bandaged my cuts and scrapes, pulled splinters out with her teeth. Laughed when I chased the goats. The uncles said it didn't matter, that she must be punished.
The second time I went to kill my sister, she didn't see me. Jamila was sweeping the kitchen, hunched over with her legs splayed, her blue kameez pulled tight across her back. I thought she would fall forward, away from me, but her knees crumpled first. She fell backwards, her hand quivering as blood spread on the clean floor. Her eyes were open. I stepped into their home to make sure I had killed her. I didn't want my sister to hurt. The one who washed my feet and kissed me good night.
Jamila's eyes were open, staring at the white stone ceiling. Her black hair had slipped from under her hijab. I tucked it back in, brushed away a fly. And then I heard him call, the baby, calling first to his mother and then to me. Habib, my beloved, he called. The baby knew my name, its meaning. Let me out, Habib. Jamila's stomach moved, the baby pushing, kicking at the graying flesh. Habib, let me out, he called. I laid my hand against her kameez, still damp with the sweat of her labor. Felt the pounding of the tiny fist. Let me out, Habib, beloved. One more bullet, the crack muffled against her blue cotton. I waited to see if the baby would say anything else. He was quiet. Jamila was quiet. Her eyes were open, but she didn't see me.
Outside these walls, the sun is shining with honor. The uncles raise their fists, karo-kari. Father smiles, says I am a man now. Inside, the air is thick, murky. I hear the call of prayer as if from the bottom of a well. The striped square of sunlight swims across the opposite wall from salat al-fair to salat al-isha, pushes through the dense shadows. I'll be out in less than six months, the uncles say. I'll be out in time to help Father take in the harvest.
Read the interview.
Carmel Reid Mawle lives in Colorado and studies writing at the Denver Lighthouse Writers Workshop. She is currently working on a collection of short stories, poems and essays based on research for a novel-in-progress which incorporates the history, politics, religion, spirituality and traditions of England and the Middle East.
Nominated for a Pushcart, Gay Degani has published in journals, anthologies, and her own collection, Pomegranate Stories. A list of her online writing can be found at Words in Place. Her artwork has been featured at Faraway Journal, 3 A.M, and Smokelong Quarterly. She’s a staff editor at SmokeLong and managing editor of EDF’s Flash Fiction Chronicles.
All content in SmokeLong Quarterly copyright 2003-2012 by its authors.
Issue Thirty-Three (October 2, 2011):
Egg Toss, August 1989 by Meagan Cass «»
Dinner Parties Where Place Cards Leave No Choice in Seating by Chella Courington «»
Sovetskoye Shampanskoye by Berit Ellingsen «»
They Live in Black and White by Danica Green «»
Watermelon Seeds by Micah Dean Hicks «»
Gwendolyn by Robert Hinderliter «»
Sleepless #7 by Joe Kapitan «»
Mutual by Henry S. Kivett «»
Wolf Cry by Sara Lippmann «»
Jamila by Carmel Reid Mawle «»
When I Lose Track of the Children, 5 & 7, Near the Magazine Section at Costco by Christopher Merkner «»
Finally by John Minichillo «»
I'm a Woman For Sure by Kate Nesheim «»
Exposure by Katy Resch «»
The Road to the Casino Del Sol by Mather Schneider «»
Never Never by Amber Sparks «»
The Language of Hairzilla by Chris L. Terry «»
Interviews:
Meagan Cass «»
Chella Courington «»
Berit Ellingsen «»
Danica Green «»
Micah Dean Hicks «»
Robert Hinderliter «»
Joe Kapitan «»
Henry S. Kivett «»
Sara Lippmann «»
Carmel Reid Mawle «»
Christopher Merkner «»
John Minichillo «»
Kate Nesheim «»
Katy Resch «»
Mather Schneider «»
Amber Sparks «»
Chris L. Terry «»
Cover Art "Sparta, NJ" by David Ohlerking «»
Letter From the Editor
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