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Gloves by Gary Cadwallader
About my gloves... I have many styles. They are made of: cow, pig, water buffalo, llama... perhaps emu. Their skins were roughed into suede, smoothed into dress gloves. They were sewn, punctured, threaded. The gloves have man made fibers added to the fingertips, the cuffs, across the palm. The insides are filled, or not, depending on the season. The hides are sometimes dull, sometimes glossy. All the gloves are small. I am a small man. I choose tiny women, no bigger than jockeys. To them I am a giant. I buy those women gloves in the children's department. For elegant occasions when only arm length white will do, I search Ebay for "pageant gloves, xsmall." Fast forward past the women. I am tearing boards and chicken wire out of an old barn. I separate wood from wire into piles outside the door. The barn is fifty, seventy-five, a hundred years old? Someone insane has jacked it up and poured a concrete foundation so that it won't blow away. Someone misguided has added lightning rods across the top. The barn was apparently owned by major stockholders in twine and wasps. Rewind to where I buy farm gauntlets. Warrensburg Farm-and-Home. I try on cowboy hats but none fit. I look at a small windmill. I'd like a windmill, but I want one of those Euro-glitz jobbies that look like Ginzu knives on stilts. I saunter past wire cutters. For twenty dollars I can buy a pair that will do the job. For twenty-five dollars I can go bigger. For thirty dollars I can get a pair with three-foot handles and the leverage to cut gaucho wire. I need leverage. It turns out, the bigger wire cutters wear one down as the sun sets over Whiteman Air Force Base. It becomes a task to lift them one more time and one more time and one more time. Skip ahead to the B2 Bomber. I toss the gauntlets onto the ground. I run my hands through my hair and look up to see a great black kite. The kite tilts and tantalizes me. Only after it passes do I hear a small roar, like a lawn mower. The B2 is flown by a young man who could destroy my barn with a joystick, but he won't. They'd count his weapons on landing. Besides, like my son who blows up land mines, he took an oath to protect me and all predators like me. He's wearing gloves – man made, I'm sure. Oil based. Khaki, or brown. He flies low over my fields, which produce no food or by-products. He may see the horse trailer pulling in and if he has any sense, he'll know I've gone into the entertainment business as all Americans must someday. Fast forward into the future. Wind, electricity, armor, and smiles. That's all we have left. Frankly, that's all we need. Those are the new elements of the universe. All content in SmokeLong Quarterly copyright 2003-2008 by its authors. |
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Gary Cadwallader writes tiny stories that resemble freckles on a red-haired lass. Read the interview. |
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| Issue Five (August 15, 2004): Lovers by Karen Simpson Nikakis «» Shore by Susan Henderson «» Lovechild by Ellen Parker «» Lipstick by Claudia Smith «» Back Home by Bob Arter «» Gloves by Gary Cadwallader «» Gilda by Patricia Parkinson «» Attic by Kim Chinquee «» The Radioactive Chicken or the Egg? by Randall Brown «» Summer Swim by Pia Z. Ehrhardt «» Two Benches by Pasha Malla «» Fall by Richard Hulse «» Drop by Roy Kesey «» Galveston by Steven Gullion «» Every Pane of Weathered Glass by Ellen M. Rhudy «» I Can't Talk About Butter Because Margarine Is All I Know by C.R. Park «» Something of Value by Brian Reynolds «» The Therapist Told Her Not to Stop Smoking–Right Now by Astrid Schott «» Maintenance by Miriam N. Kotzin «» Enough by Katrina Denza «» Interviews: Karen Simpson Nikakis «» Susan Henderson «» Ellen Parker «» Claudia Smith «» Bob Arter «» Gary Cadwallader «» Patricia Parkinson «» Kim Chinquee «» Randall Brown «» Pia Z. Ehrhardt «» Pasha Malla «» Richard Hulse «» Roy Kesey «» Steven Gullion «» Ellen M. Rhudy «» C.R. Park «» Brian Reynolds «» Astrid Schott «» Miriam N. Kotzin «» Katrina Denza «» Cover Art "A Character in Short Fiction" by Marty D. Ison «» Letter From the Editor | |||