The Color of Moths
by Holly Selph
There are moths on the window beside the toilet. They are all the same shade: the milk of bones, pale mushroom, dandelion fur.
I am late meeting my father for dinner. I pull the straps of my heels over my toes so they donít smudge the polish, and I walk out the door. The gaslight comes on as soon as I start the car. I am ten minutes late. My father is already there, ordering a glass of water and wondering if he should try a beer. I imagine him looking up at the door each time it opens to see if my hair is still black, if I have removed the piercing from my lip, if I have stopped being a woman and turned back into a little girl.
I make it there, and see my father sitting at a table reading a menu. The waiter waves when I walk in. I pretend not to see him. He has seen me climb up on the bar, take a shot of tequila, walk the length of it like a stripper toward another shot waiting at the other end.
"Hi!" the waiter says. I think his name is Brian.
"Hello," I say. I am two people. Brian would say my toes are painted Vixen, and my father would insist that they are Cherry.
We order, and my father sighs as if he is relaxed. "So, any news on when you are going to graduate?"
I take a sip of my beer and let the foam fizz on my lips for a minute before I say, "I donít know. Maybe next spring?"
"Have you stuck with a major yet?"
"Dad, Iíve been a philosophy major for six years," and then I realize that for once, I have actually stuck with something for too long.
"What kind of job do you expect to get with a degree in asking questions?"
I want to say, "what kind of answer do you expect to get by asking a question like that?" but instead I say, "my advisor says that the FBI and police seek out philosophy graduates because they are trained in logic."
"You want to be a federal agent? Or a cop?"
"No," I say. I gulp more beer. I donít even like beer, but if I order a Jack and Coke in a tall glass, shaken in ice, but poured without any, then the bartender will know I am here.
"Your mom said you dropped another class," he says.
"They refunded your money."
"Thinking is not rewarded in our society. Doing is."
"So, you're angry because I didnít do my class on thinking which you consider invaluable anyway. Makes sense."
"I'm angry because you never finish anything you start. You could be a lawyer with your ability to argue."
I set my empty beer glass down on the table and smile. I wonder if he is thinking of the private rehab he put me in when I was seventeen. I submit Exhibit A as evidence of something I started and didnít quit.
"All I want is for you to be happy," he says, resigned.
"I am happy, Dad. You canít believe I am happy unless Iím doing what you think I should do."
"What makes me happy is you being happy," he says.
Happy begins to sound like a non-word, one made up to describe a shade of red meant for a woman who is afraid to take off her shoes.
Afterwards, I pull into the filling station across the street. Three men leaning against the store watch me without looking at each other. Another man is at a payphone. He has a red bandana tied around his head, and his yellow Ford Focus is running beside him. The sign that hangs over the filling station is also yellow, the same garish shade, and reads, "Compare Our Cigarette Prices!" Compare to whom? To everyone else?
The numbers on the pump roll over what I normally pay for a tank, and I think how lucky I am to have made it to the restaurant. And then my feet are wet. Gasoline is pouring from the pump and onto my feet. I yank the pump out of the tank and drop it back on the handle. It clangs loudly, and I look up and see the men laughing at me. I smile back. I cannot tell whether the gasoline is burning my feet, or if I am just imagining that it should.
The store is too bright. I have to squint. The cashier is a man whose face has been badly burned. It is burned like someone set him on fire, on purpose. I look at him directly in the face because I donít want him to know I feel guilty for thinking my feet were burning.
"Your pump out there isnít shutting off automatically," I tell him.
"Oh," he says. Maybe he does not understand me.
"I have gasoline on my feet."
"Okay," he says.
Outside, on the window, there are moths on the glass. Some of them are still, their wings folded into their bodies. Some of them are fluttering frantically, their bellies tapping the glass. I understand this language, though I cannot speak it. They want to burn without ever having to touch fire.
The man with the red bandana walks by the racks of candy bars and bubblegum. In one movement, he makes a fist and thumps it against the window, scattering the moths into the darkness, but they come back and beat on the glass.
All content in SmokeLong Quarterly copyright 2003-2014 by its authors.
Holly Selph is a writer who lives in Atlanta, GA. In 2006, she won second prize in a fiction contest sponsored by The Chattahoochee Review and Creative Loafing. It's taken her this long to begin submitting her work again. She blames the job she recently quit for temporarily consuming her soul.
Read the interview.
|Issue Sixteen (March 15, 2007): Heaven by the Highwayside by Mike Amato «» There Swells and Jets a Heart by Rusty Barnes «» Miss Hempstead's Brother by Myfanwy Collins «» This Is What You Left Behind by Tod Goldberg «» Ten Very Short Stories by John Leary «» Photographer and Model by Stefani Nellen «» On Mondays, Francesca Takes the Stairs by Cami Park «» Seven in the Morning by Max Ruback «» Baby in a Jar by Tom Saunders «» The Color of Moths by Holly Selph «» The List by Paul Silverman «» Glasgow Lullaby by Rob McClure Smith «» Night Birds by Craig Terlson «» Quake by Beth Thomas «» Deep in the Heart of Texas by Robert Travieso «» Disappearances by Jeff Vande Zande «» This Is Just Another Yarn by Ann Walters «» Travel by Nancy Zafris «» Interviews: Mike Amato «» Rusty Barnes «» Myfanwy Collins «» Alicia Gifford «» Tod Goldberg «» John Leary «» Stefani Nellen «» Cami Park «» Max Ruback «» Tom Saunders «» Holly Selph «» Paul Silverman «» Rob McClure Smith «» Craig Terlson «» Beth Thomas «» Robert Travieso «» Jeff Vande Zande «» Ann Walters «» Nancy Zafris «» Cover Art "A Gathering of Matisse" by Marty D. Ison «» Letter From the Editor|