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View From a Flying Jimmy
by Tammy Turner

Platinum
Listen: hounds loose their run trill reveille behind the lines
of white pine and cedar and elm that guard my seclusion.

I pretend I'm dreaming -then I am- waltzing with Jane
barefoot and ballgowned through a wood: music howls
somewhere beyond the grey, somewhere in the black.
So I oversleep and wonder when I wake why my feet are ice.

I fly to work down backroads that turn suddenly
into streets miles from my driveway graveled and
tucked between menacing rows of black-hulled pecans:
they bear on the third year and I keep their fallen ancestors
packed naked in blue tupperware tubs stacked in my freezer.

The cockpit of my jimmy is strewn with dead coffee cups.
Jack-in-the-boxes lay discarded and dying on the floorboards
-similar slaughters of necessity- ketchup clotted to their sides.
Last month's cable bill flaps under the visor like a battleflag.

Tobacco whips by on the left and on the right so fast
each leaf on every stalk stands out in surreal bas-relief.
I taste the sharp and bitter tang of suckering plants:
it reminds me of my father's pall malls and politics and
the smell of money seeded from blood.

Barn swallows rise -in lazy tourbillions- from the fields
their beaks and bellies full of yellow and green hornworms.

I wing past Buck's BBQ Pit (You Can't Beat Our Meat)-past
Lucy's Do-Lounge where the girls serve more than shots-
past Big Jim's Quick Mart: the stoner kid who pumps gas raises
a hand in reflex. I don't wave back in sympathetic apathy.

Most mornings I stop to kill coffee cups but today I'm late.

Tenant houses rush by on either side, their concrete blocks
painted with Kudzu and mildew: I think of abattoirs and
oubliettes and other inevitable exits. Children and dogs and
cheap molded toys from the plastic plant over in Elroy dot
the tiny dirt yards -little boys and little girls stand in stagnant
ditches chunking rocks at death while their mamas are inside
fucking the mailman or watching General Hospital on TV.

I see slideshow flashes of their faces and I hope I don't
have to come back out this way: scrape them up, heads
cracked open, futures frying on asphalt like so many eggs.

I pass the city limit sign -some of the holes are mine- ringed
in rust and canted to one side. Courthouse looms right,
county buildings lurch left and blocks ahead day meets night
where tracks split the city: segregation in iron ties old as time.

I pull into my lot -number six, section twelve-filled with cars
and trucks and bikes but I am the only flying jimmy.
Everything ticks: engine, watch, pulse, -alpha papa charlie-
the people that mill outside my windshield tick with tension.

I want to turn the key, turn around, turn into my driveway
where squirrels sit stuffing my sweet meats in their jaws:
instead I clinch mine -name rank serial number-open the door
and step out.

Listen: animals sprung their cages snarl in angry unavoce
behind walls of brick and steel and glass that guard nothing.


All content in SmokeLong Quarterly copyright 2003-2008 by its authors.
Tammy Turner is a Paramedic from North Carolina.

Read the interview.
Issue Two (December 15, 2003): The Natural Order by Barbara Jacksha «» View From A Flying Jimmy by Tammy Turner «» ISO by Bret Fetzer «» Magic Yeast by Louisa Howerow «» Must Sign for Delivery by Jade Walker «» Memoirs of a Jump Rope Queen by Margaret A. Frey «» Nolo Contendere by Sean Oakley «» Campfire Conversation by Lennart Lundh «» Snap Shot by Peggy Duffy «» Fear by Rose McDonagh «» Because of Penguins by Jane Sales «» With Love, Moon by Eugenia E. Gratto «» Private Services by Diana Forrester «» Red Flecks by Louise Jackson «» Pictures—The Beach Outside of Nice by Nance Knauer «» Love and Death in Legoland by Kay Sexton «» Sunset in Santa Monica by Didi Wood «» Fragile by Eric Wrisley «» Interviews: Barbara Jacksha «» Tammy Turner «» Bret Fetzer «» Louisa Howerow «» Jade Walker «» Margaret A. Frey «» Sean Oakley «» Lennart Lundh «» Peggy Duffy «» Rose McDonagh «» Jane Sales «» Eugenia E. Gratto «» Diana Forrester «» Louise Jackson «» Nance Knauer «» Kay Sexton «» Didi Wood «» Eric Wrisleya «» Cover Art "Platinum" by Malina «» Letter From the Editor
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