by Andrew Tibbetts
The court order says 200 feet. I am standing 201 feet from your house, watching you phone the police. You have not measured the sidewalk like I have.
I have never cared about anything so much in my life. What am I supposed to do with that? Behave?
I know the distance between you and me. I know it exactly. I am not willing to let it be vague.
I know I am frightening you, and, despite what the counsellor says, I am not ďgetting offĒ on that.
I want you to be happy and to feel safe. I want you relaxed. Remember: I love your laugh. Remember: I love the way you toss your head to flick your hair even though it has been two and half years since you had it cut short. That new guy probably thinks itís a tick.
I do not like seeing you upset. I do not like knowing that it is me upsetting you. I havenít seen the face I love on you for a long time now, but I remember it. I cannot stop what I am doing, as long as I remember it.
You could wait for the police back from the window, but you do not. For me, thatís a sign Iím doing the right thing. So, until they get here, we are looking at each other. From this distance, I can see you hate and love me, too. The palms of your hands are pressed against the glass. You are leaning hard against the window. If you push through the glass and cut your hands, I will come and save you- court order or no.
I know exactly how long it will take to get to you, but I do not know what will happen when I get there. I am thinking of all the possible outcomes now, some good, some bad. Imagine: Your lips again on mine, thanking me between kisses. Imagine: being wrenched from your bleeding body by the police as you scream at me, and our disapproving neighbours gather.
But, all along the 201 feet that I will run towards you, I will not be thinking of any of that. I have the kind of love that doesnít care what happens.
All content in SmokeLong Quarterly copyright 2003-2014 by its authors.
Andrew Tibbetts lives in Canada. His short fiction has appeared in This Magazine and The New Quarterly. His "day job" is as a therapist with people diagnosed with mood and personality disorders.
Read the interview.
|Issue Six (October 15, 2004): Money on the Eyes by Ian Kita «» Fire. Water. by Avital Gad-Cykman «» On the Inside of a Horseís Skull by Daphne Buter «» Breakfast in America by Angela Delarmente «» Broodiness by Alicia Gifford «» The Suspect by Joseph Young «» Picnic by Robin Slick «» Rabbit Karma by Bea Pantoja «» Grateful by Lisa K. Buchanan «» Getting Religion by Carol Novack «» The Green Dress by Beverly Jackson «» Smoky Clothes by Ellen Parker «» Shopping List by Liesl Jobson «» The Nub by Jordan E. Rosenfeld «» Swallow Whole by Spencer Dew «» Dead Weight by Jensen Whelan «» Instructions for a Son upon Finding Something of his Fatherís by Robert S. Jersak «» 201 Feet by Andrew Tibbetts «» Slip it In by Myfanwy Collins «» Frostbite by Katrina Denza «» Interviews: Ian Kita «» Avital Gad-Cykman «» Daphne Buter «» Anglea Delarmente «» Alicia Gifford «» Joseph Young «» Robin Slick «» Bea Pantoja «» Lisa K. Buchanan «» Carol Novack «» Beverly Jackson «» Ellen Parker «» Liesl Jobson «» Jordan E. Rosenfeld «» Spencer Dew «» Jensen Whelan «» Robert S. Jersak «» Andrew Tibbetts «» Myfanwy Collins «» Katrina Denza «» Cover Art "Torment of a Lost Ecstasy" by Marty D. Ison «» Letter From the Editor|