×

SmokeLong Quarterly

Share This f l Translate this page

“Authentic connection”: An Interview with Guest Reader R. Cross

Interview by Shasta Grant August 20, 2018

What themes do you find yourself frequently writing about?
Non-normative expressions of gender. The redefinition of different rites of passage in a largely secular society. Nature. Cacti. Feeling weird about having a body. Blood. Nondescript longings that drive dysfunctional behaviors. Empathic children. More blood. More cacti.

What can make or break a flash story?
For me a successful piece of flash forges an authentic connection with readers in a small amount of space; that authentic connection can be abstract and ethereal, merely evoking feelings in readers, or it can be a blatant narrative turn, twist, or development that leaves little room for interpretation. It’s kind of like meeting a stranger and connecting with them on a deeper level for the few minutes you know them in passing.

You’re currently working on an MFA in Fiction at the University of Michigan. What is your favorite thing about the program? What is the best piece of writing advice you’ve heard there that you can pass along?
The program has been incredibly giving. It’s hard to pick just one thing! My instructors have all been so down to earth and charitable with their time and professional honesty. That said, I feel beyond blessed to work alongside the other writers in my ‘19 fiction cohort; they’ve made my time here so far such a treat.

I’ve heard a ton of great writing advice at HZWP but really resonated with what Eileen Pollack refers to as a “zero draft” as opposed to a first draft. A zero draft is when you set off to write a story and what you ultimately come up with is not quite a story but a messy piece of writing that, when you look at it closer, you can see the makings of a first draft somewhere therein. The zero draft is a low pressure way of just getting something on the page you can later sculpt into something more substantial.

What kind of story would you love to see in the queue this week?

I’m a glutton for writing that really goes there on a prosaic, visual/sensory, and thematic level, especially when it comes to flash. Additionally, I like to feel continually surprised by what I’m reading and am delighted by narratives and/or characterization that are as convincing and fulfilling as they are not what I expected in the end.

About the Interviewer

Shasta Grant is the author of When We Were Feral (Regal House, 2026) and Gather Us Up and Bring Us Home (Split Lip Press, 2017). Her stories and essays have appeared in Kenyon Review, Cream City Review, Epiphany, Heavy Feather Review, wigleaf, and elsewhere. She was a 2020 Aspen Words Emerging Writer Fellow and the 2016 SmokeLong Quarterly Kathy Fish Fellow. She has received residencies from Hedgebrook and The Kerouac House. She holds an MFA in writing from Sarah Lawrence College and is the Coordinating Editor at SmokeLong Quarterly.

ornament

Support SmokeLong Quarterly

Your donation helps writers and artists get paid for their work. If you’re enjoying what you read here, please consider donating to SmokeLong Quarterly today.

SmokeLong Fitness--The Community Workshop

Book Now!

Included in the price of SmokeLong Fitness:

The Community Workshop in small groups
One live Zoom webinar each month with killer workshop leaders (recorded for participants unable to attend).
One open-mic party each month (or other live Zoom events)
Discounts on intensive workshops
Discounts on senior editor feedback
Surprises (good ones)